Sheep Tracks: A Multi-Species Impression

dc.contributor.author	Yates, Julian
dc.date.accessioned	2023-06-06T19:34:39Z
dc.date.available	2023-06-06T19:34:39Z
dc.date.issued	2012-05-07
dc.description	This book chapter was originally published in Animal, Vegetable, Mineral: Ethics and Objects. The full e-book is available from the publisher at https://doi.org/10.21983/P3.0006.1.00
dc.description.abstract	Here, in a postscript to Archive Fever, Jacques Derrida tells an autobiographical or pseudo-autobiographical story of how it is that he came to write these words. Covering his tracks as he appears to uncover them, back-tracking over the marks on paper that are now variously hosted in print and electronic media, he winks at us. Was he there on that rim, above that very volcano? Did his own mal’ d’archive lead him to a supposed origin—an origin that reduces his Neapolitan jaunts to a repetition compulsion? As we read them, Derrida’s tracks flicker in and out of being, and...
dc.identifier.citation	Yates, Julian. “Sheep Tracks: A Multi-Species Impression.” In Animal, Vegetable, Mineral: Ethics and Objects, edited by Jeffrey Jerome Cohen, 173–210. Oliphaunt Books, 2012. https://doi.org/10.21983/P3.0006.1.00
dc.identifier.issn	9780615625355
dc.identifier.uri	https://udspace.udel.edu/handle/19716/32830
dc.language.iso	en_US
dc.publisher	Oliphaunt Books
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0
dc.title	Sheep Tracks: A Multi-Species Impression
dc.type	Article

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