Pigments and pianos: painter and varnisher Lyman White

Author(s)Garcia, Rebecca J.
Date Accessioned2020-10-12T11:57:14Z
Date Available2020-10-12T11:57:14Z
Publication Date2007
AbstractThe Winterthur Museum & Library owns the stencil and ornament collection of nineteenth-century Boston painter and varnisher Lyman White (1800-1880). The following study uses this collection to analyze the two phases of White's career. From his teens to the late 1830s he painted furniture. The stenciling technique he utilized when painting and stenciling is embedded in his surviving tools and materials and illustrates the connection between the painting process and the final product. The second stage of White's career was spent varnishing pianos at the Chickering & Co. piano manufactory. Chickering's approach to craftsmanship in light of the Industrial Revolution provided White with opportunities for advancement and a sense of responsibility and pride in his work.en_US
AdvisorJobe, Brock
DegreeM.A.
ProgramUniversity of Delaware, Winterthur Program in Early American Culture
Unique Identifier173298645
URLhttps://udspace.udel.edu/handle/19716/27821
PublisherUniversity of Delawareen_US
URIhttps://login.udel.idm.oclc.org/login?url=https://www.proquest.com/docview/304859587?accountid=10457
dc.subject.lcshWhite, Lyman, 1800-1880
dc.subject.lcshFurniture painting -- Massachusetts -- Boston
dc.subject.lcshVarnish and varnishing
dc.subject.lcshStencil work -- Massachusetts -- Boston
dc.subject.lcshPiano -- Construction -- Massachusetts -- Boston
TitlePigments and pianos: painter and varnisher Lyman Whiteen_US
TypeThesisen_US
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