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Open access publications by faculty, postdocs, and graduate students in the Department of English.
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Browsing Open Access Publications by Author "Yates, Julian"
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Item Introduction: (An Environing of this Book)(Punctum Books, 2016-02-12) Cohen, Jeffrey Jerome; Yates, JulianIN THE SPRING OF 2013, WE WERE INVITED TO PROPOSE A POSSIBLE session for the Shakespeare Association of America meeting in St. Louis for 2014. The SAA is an organization that, in addition to running paper panels at its annul conference, offers participants the opportunity to share work-in-progress through themed seminars. The two of us had been in conversation for some time about nonhumans, things, animal, vegetable, and mineral, medieval and renaissance, about questions of ecology, and how to craft nontraditional conversation and thinking spaces in which something unanticipated might unfold. We decided to collaborate to build a gathering that...Item Mood Change/Collective Change(Oliphaunt Books, 2014-04-28) Yates, Julian; Orlemanski, JulieMOOD CHANGE (JULIAN) for Vincent Gillespie, whose lessons still inspire 991. Here Ipswich was raided; and very soon after that Ealdorman Byrhtnoth was killed at Maldon, and in that year it was first decided tax be paid to the Danish...Item Shakespeare’s Kitchen Archives(Punctum Books, 2013-01-17) Yates, JulianThese words you are reading, some of which I read aloud once upon a speculatively medieval afternoon in New York City—and which I find myself compelled now to rewrite—what are they? What were they? And what have they become by their translation and so transformation from paper to essay, from colloquium to whichever media now hosts them? Perhaps, by their end, they will have the flavor of a manifesto. But if so, it will not be in the arch/modern sense that Bruno Latour sets to one side even as he attempts his own “Compositionist Manifesto.” There will be...Item Sheep Tracks: A Multi-Species Impression(Oliphaunt Books, 2012-05-07) Yates, JulianHere, in a postscript to Archive Fever, Jacques Derrida tells an autobiographical or pseudo-autobiographical story of how it is that he came to write these words. Covering his tracks as he appears to uncover them, back-tracking over the marks on paper that are now variously hosted in print and electronic media, he winks at us. Was he there on that rim, above that very volcano? Did his own mal’ d’archive lead him to a supposed origin—an origin that reduces his Neapolitan jaunts to a repetition compulsion? As we read them, Derrida’s tracks flicker in and out of being, and...