Stetz, Margaret D.2024-05-212024-05-212024-04-23Stetz, M. D. (2024). Ella Erskine, Elkin Mathews, and the “Long Aesthetic Century.” Women’s Writing, 31(2), 157–171. https://doi.org/10.1080/09699082.2024.23258251747-5848https://udspace.udel.edu/handle/19716/34421This is an Accepted Manuscript of an article published by Taylor & Francis in Women's Writing on 04/23/2024, available at: https://doi.org/10.1080/09699082.2024.2325825. © 2024 Informa UK Limited, trading as Taylor & Francis Group. This article will be embargoed until 10/23/2025.Scholars have used terms such as the “long nineteenth century” to convey the fact that the characteristics, principles, and artistic debates of the Victorian era did not suddenly vanish in 1900, but continued to inform British literature throughout the Edwardian era and into the start of the First World War. From work written by women, in particular, during the first decade of the twentieth century, it is obvious that one of the most significant developments of late-Victorian literature – i.e. the Aesthetic Movement – continued to enjoy an active life. This chapter uses a 1909 volume of prose poems, Shadow-shapes by Ella Erskine, to make that point, while demonstrating the important role played by Elkin Mathews, her publisher, in keeping Aestheticism before the public.en-USaestheticismdecadencewomen’s writingWalter Pater“George Egerton”Oscar Wildefantasyfairy talesBritish publishing industryElla Erskine, Elkin Mathews, and the “Long Aesthetic Century”Article