Rhythm & roots: Black and insurgent ecologies of orisha music

Author(s)Graham, Chad Kehinde
Date Accessioned2024-10-29T16:26:51Z
Date Available2024-10-29T16:26:51Z
Publication Date2024
SWORD Update2024-10-19T22:02:29Z
AbstractLukumi people reconstructed their ritual music tradition from Yorùbáland in Cuba through the improvisation of their ecology or ecophilosophy. Although Cuba presented a set of environment conditions different from those of the Bight of Benin and Spanish colonists tried to impose a discordant relationship between them with the land, Yorùbá people developed a harmonic and improvisational relationship with the environment on their own terms. Through historical analysis, content analysis of orisha songs and material analysis of the accompanying instruments, this work considers what and who the environment was to orisha devotees. They reaffirmed their commitment to the natural world through the performance of their ritual music, in opposition to the terms of order that produced them to property, thus revealing a cyclical relationship between the material world and sound. That relationship was essential for the reconstitution of the instruments, rhythms and sounds which their ways of knowing required.
AdvisorColeman, Monica A.
DegreeM.A.
DepartmentUniversity of Delaware, Department of Africana Studies
DOIhttps://doi.org/10.58088/pnbd-5n28
Unique Identifier1484832232
URLhttps://udspace.udel.edu/handle/19716/35426
Languageen
PublisherUniversity of Delaware
URIhttps://www.proquest.com/pqdtlocal1006271/dissertations-theses/rhythm-amp-roots-black-insurgent-ecologies-orisha/docview/3118514998/sem-2?accountid=10457
KeywordsMusic tradition
KeywordsRhythms
KeywordsOrisha devotees
KeywordsCyclical relationship
TitleRhythm & roots: Black and insurgent ecologies of orisha music
TitleRhythm and roots: Black and insurgent ecologies of orisha music
TypeThesis
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