Natural Singularity: An Exploration in Daoist Philosophy and Painting to Represent the Fabric of the Universe

dc.contributor.authorPush, Alexandra
dc.date.accessioned2010-12-09T18:55:54Z
dc.date.available2010-12-09T18:55:54Z
dc.date.issued2010-12-09
dc.description.abstractThis body of work, like the world, is the result of an additive process with infinite possibilities. It is a continuous effort to translate abstract ideas into visual images, thus opening an environment of conceptual landscapes beyond the tangible world. The work primarily relates to string theory, Daoist philosophy, and forms found in the natural world. The spiritual half, Daoist philosophy, believes that all beings influence each other, creating an ever-changing balance. String theory, the scientific half, proposes that all matter is composed of the same material: immeasurable vibrating strings. In order to express these ideas, the oil the paintings are built from abstract line, form, and color referencing aspects of nature, movements, as well as the interconnectivity of all things and events. Together these core ideas allow the process and the work to be both spiritual and scientific in nature.en_US
dc.description.advisorRobert Straight
dc.description.programFine Arts
dc.identifier.urihttp://udspace.udel.edu/handle/19716/5717
dc.language.isoen_USen_US
dc.subject.lcshPainting
dc.subject.lcshTaoist philosophy
dc.subject.lcshString models
dc.subject.lcshArt and philosophy
dc.subject.lcshArt and science
dc.titleNatural Singularity: An Exploration in Daoist Philosophy and Painting to Represent the Fabric of the Universeen_US
dc.typeThesisen_US

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