Documenting War Crimes Onstage in Kyo Choi’s The Apology

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dc.contributor.authorStetz, Margaret D.
dc.date.accessioned2025-03-05T18:39:40Z
dc.date.available2025-03-05T18:39:40Z
dc.date.issued2025-01-18
dc.descriptionThis article was originally published in Humanities Bulletin. The version of record is available at: https://journals.lapub.co.uk/index.php/HB/article/view/2917. This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (https://creativecommons.org/licenses/by-sa/4.0/).
dc.description.abstractThis essay discusses Kyo Choi’s play The Apology, which was first produced in London in 2022, as an example of activist theatre, meant not only to educate British audiences about the ongoing controversies over the so-called “comfort women” issue, involving Japanese military sexual slavery during World War II, but to move viewers to action. Choi’s drama does so through a form of emotional documentation, which supplements and amplifies actual documents related to this war crime.
dc.identifier.citationStetz, M. D. (2025). Documenting War Crimes Onstage in Kyo Choi’s The Apology. Humanities Bulletin, 7(2), 158–166. Retrieved from https://journals.lapub.co.uk/index.php/HB/article/view/2917
dc.identifier.issn2517-4266
dc.identifier.urihttps://udspace.udel.edu/handle/19716/35871
dc.language.isoen_US
dc.publisherHumanities Bulletin
dc.rightsAttribution-ShareAlike 4.0 Internationalen
dc.rights.urihttp://creativecommons.org/licenses/by-sa/4.0/
dc.subject“comfort women”
dc.subjectmilitary sexual slavery
dc.subjectWorld War II
dc.subjecthuman rights
dc.titleDocumenting War Crimes Onstage in Kyo Choi’s The Apology
dc.typeArticle

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